You manage one conversation. We handle everything else.

Pre-production calls and location mapping

On the ground, not getting acquainted

Editorial pacing, not a highlight reel

We scout your resort, study the ceremony site light, and shape the visual narrative around who you are — not a template built for someone else.

We use the rehearsal dinner to understand your rhythm and relationships. By ceremony morning, the camera moves are already decided.

The final film is cut with the same intentionality as the shoot — scene by scene, emotion by emotion, until the edit feels like memory, not footage.

From New York to Normandy — they trusted us with the real thing.

We live in Toronto and had never set foot in Punta Cana before our wedding week. They knew every shadow, every angle, every wind shift at Cap Cana. We never had to think about the camera once.

We watched the film three times the night it arrived. It didn't feel like footage — it felt like the version of the day we'll carry in our heads forever. Worth every mile of the flight.

Questions couples ask us first

Planning a wedding in a country you've never visited raises real questions. Here are the ones we hear most — answered plainly.

How far in advance should we book?

Do you travel to other resorts and locations in the DR?

Can we communicate and review edits remotely?

What does the final film actually include?

Everything from consultation to delivery happens online. We've worked with couples from 14 countries — distance has never interrupted the process.

A cinematically edited feature film — typically 8 to 14 minutes — structured as a narrative arc, not a chronological recap. No stock music, no generic cuts.

Peak season dates — November through April — fill six to nine months out. We recommend reaching out as soon as your venue is confirmed.

Yes — we work across Punta Cana, Cap Cana, Uvero Alto, and beyond. Location scouting is part of our pre-production, not an add-on.